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firing fundamentals: bisque vs. glaze

Updated: Jan 28

cutaway of the interior of a full kiln

introduction: what makes bisque firing and glaze firing essential yet distinct stages in pottery?


in the art of pottery, every step, from shaping the clay to the final product, is crucial. among these, bisque firing and glaze firing stand out as essential yet distinctly different stages. but what exactly sets these two processes apart, and why are they both critical to the art of pottery? this blog post will explore the unique roles and impacts of bisque firing and glaze firing in transforming clay into enduring and beautiful ceramic art. in this post, I offer a simplified explanation of bisque firing and glaze firing. while there's much more depth to these processes, my goal is to provide an easy-to-understand overview for a broad audience. compare this video to this video to see the difference between a piece that has been bisque-fired and glaze-fired.


a mercury thermometer exploding due to the temperature being too high for the thermometer to read

understanding bisque firing: the first firing


bisque firing is the first heat treatment that clay undergoes. this process transforms the clay into a porous, yet firm state known as 'bisque' or 'biscuit'. typically conducted at lower temperatures, usually between cone 06 and cone 04 which is equivalent to 1828 °F to 1945 °F, bisque firing prepares the pottery for glazing. no, that's not a typo, and kilns get much hotter than that!


key objectives


  • removes water: bisque firing drives out all the water content, both physical and chemical, from the clay.

  • increases strength: it makes the pottery strong enough to handle, yet porous enough to absorb glazes efficiently.

  • burns off impurities: organic materials and other impurities are burnt off, lessening the likelihood of defects in the final glazed firing.


a hand painting glaze onto a piece of pottery

exploring glaze firing: the second firing


after the bisque firing glaze is applied, then the pottery undergoes glaze firing. this stage is where the glaze applied to the bisque ware melts and forms a glass-like surface. the temperatures here are higher, typically reaching cone 5 to cone 10, which is equivalent to 2167 °F to 2345 °F, depending on the clay and glaze types.


key objectives


  • melting the glaze: the high temperature causes the glaze to melt, flow, and then harden, forming a smooth and often colorful coating.

  • vitrification: this stage also vitrifies the clay, which means the clay body fuses and becomes non-porous and strong.

  • aesthetic qualities: the final appearance, texture, and color of the glaze are determined in this firing.


a piece of pottery showing raw clay on the left and a finished piece on the right, stitched together at the middle to show a before and after

comparing bisque and glaze firing


  • temperature: bisque firing is done at a lower temperature compared to glaze firing.

  • purpose: bisque firing prepares the clay for glazing, while glaze firing completes the process by maturing both the glaze and the clay body.

  • ware state: after bisque firing, the ware is porous and fragile. after glaze firing, it's vitrified and durable.


an array of different sizes and shapes of pottery

conclusion


the journey from raw clay to a finished piece of pottery is a testament to the importance of both bisque and glaze firings. bisque firing provides a necessary foundation, transforming greenware into a durable, porous state ready for glazing. glaze firing, in contrast, is where the aesthetic magic happens, melting the glaze onto the bisque ware to create a glass-like, decorative, and functional surface. together, these two distinct stages ensure not only the durability and functionality of pottery but also its artistic expression. therefore, bisque firing and glaze firing are not just essential; they are the cornerstones of ceramic creation, each contributing uniquely to the art of pottery.

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